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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. | diss. | |||||
| | 2. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. | diss. | 123, 70, 2p | ||||
| | 3. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. | diss. | |||||
| | 4. | Kroetsch, Terence R. | A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. | diss. | v, 136p | ||||
| | 5. | Ward, Lois Janette | A Bassoon Performance Edition of Three Suites for Violincello [sic] Solo (BWV 1007-1009) by Johann Sebastian Bach. | diss. | iv, 75p | ||||
| | 6. | Wampler, Stephen G. | A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. | diss. | vi, 204p | ||||
| | 7. | Hughes, Indra Nicholas Martindale | Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. | diss. | viii, 188p | ||||
| | 8. | Fjerstad, Helen Luvaas | A chronology of J. S. Bach's organ fugues by external and stylistic evidence. | diss. | 258p | ||||
| | 9. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. | diss. | 102, 89p | ||||
| | 10. | Ham, Jimin | A comparative analysis of J. S. Bach's three partitas for solo violin. | diss. | 72p | ||||
| | 11. | Gluckman, Isidore B. | A Comparative Study of Five Piano Works by Bach, Beethoven and Liszt. | diss. | 71p | ||||
| | 12. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. | diss. | ii, 81p | ||||
| | 13. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. | diss. | |||||
| | 14. | Holler, Ann K. | A comparative study of selected Bach and Klengel fugues. | diss. | viii, 69p | ||||
| | 15. | Zyl, Sonia van | A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. | diss. | xi, 125p | ||||
| | 16. | McNulty, Loretta Jean Wood | A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky. | diss. | 90p | ||||
| | 17. | McDonald, William Rudd | A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. | diss. | xiv, 368p | ||||
| | 18. | Lee, Joong-Oh | A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay. | diss. | xvi, 132p | ||||
| | 19. | Sircy, Virginia Rice | A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. | diss. | x, 62p | ||||
| | 20. | Leckie, Thomas Conley | A Comparison of Thematic and Episodic Analyses of the Bach two-part Inventions. | diss. | 212p | ||||
| | 21. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. | diss. | 173p | ||||
| | 22. | Kong, Joanne Lan-Funn | A comparison of the technical and interpretive qualities of the piano and harpsichord, accompanied by performance editions of the 'Chromatic fantasy and fugue' (BWV 903) by Johann Sebastian Bach. | diss. | xii, 139p | ||||
| | 23. | Choi, Jeeyoon | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. | diss. | 315p | ||||
| | 24. | Gabrielse, Kenneth J. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. | diss. | 123p | ||||
| | 25. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. | diss. | xv, 199p | ||||
| | 26. | Simpson, Will M.B. | A conductor's guide to J.S. Bach's cantata 150 'Nach Dir, Herr, Verlanget Mich'. | diss. | 173p | ||||
| | 27. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. | diss. | 113p | ||||
| | 28. | Rhyne, David Ernest | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. | diss. | 326p | ||||
| | 29. | Eder, Terry Edward | A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. | diss. | 247p | ||||
| | 30. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. | diss. | |||||
| | 31. | Ellis, Phillip | A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. | diss. | |||||
| | 32. | Curtiss, Lola Winchell | A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University. | diss. | 66, xii Bl | ||||
| | 33. | Yoon, Soomee | Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. | diss. | xi, 67p | ||||
| | 34. | Covington, David Lee | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. | diss. | 189p | ||||
| | 35. | Knox, Robert Erskine | Aeolus Appeased: A Modern Scenographic Concept. | diss. | |||||
| | 36. | Schüllerová, Silvie | Afektová teorie a hudebnì rétorické figury. | diss. | 208p | ||||
| | 37. | Kao, Phyllis Shu | Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor. | diss. | 186p | ||||
| | 38. | Sollenberger, Elizabeth Travis | A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems. | diss. | 88p | ||||
| | 39. | Corra, Arthur B. | A guide to the performance of Bach's B Minor Mass. | diss. | 256p | ||||
| | 40. | Hicks, Eric Michael | A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. | diss. | 317p | ||||
| | 41. | Ho, Shao Ying | A Historiography of Musical Historicism: The Case of Johannes Brahms. | diss. | xi, 133p | ||||
| | 42. | Aspaas, Christopher Paul | A history of the Oregon Bach Festival. | diss. | 318p | ||||
| | 43. | Sweetkind, David | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. | diss. | |||||
| | 44. | Ward, William Reed | Altered chords in the 371 chorale harmonizations of J. S. Bach. | diss. | v, 88p | ||||
| | 45. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. | diss. | 138p | ||||
| | 46. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. | diss. | 133p | ||||
| | 47. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. | diss. | 105p | ||||
| | 48. | Harlow, Julia Tikker | A musician's introduction to Baroque dance. | diss. | 139p | ||||
| | 49. | Potgieter, Zelda | Analyses of selected works from the Well-tempered clavier of J.S. Bach: A synthesis of existing approaches. | diss. | 449, 58p | ||||
| | 50. | Stange-Elbe, Joachim | Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. | diss. | |||||
| | 51. | Trolier, Kimberly Ann | Analytical topics in Bach's flute sonatas. | diss. | 79p | ||||
| | 52. | Gaughan, Warren John | An analysis of George Rochberg's Carnival music: Suite for piano solo. | diss. | 75p | ||||
| | 53. | Tretick, Sidney J. | An analysis of performance practices for the Johann Sebastian Bach chaconne based upon the Anna Magdalena Manuscript. | diss. | 79p | ||||
| | 54. | McFarland, James Harold | An analysis of two twentieth-century German organ compositions on the B-A-C-H motive composed by Heinz Wunderlich and Hans-Ludwig Schilling. | diss. | viii, 148p | ||||
| | 55. | Murphy, Eliana Maria | An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations'). | diss. | xv, 122p | ||||
| | 56. | Schreiner, Frederick | An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. | diss. | 118p | ||||
| | 57. | Lu, Chia-Neng | An Analytical Study of Bach-Busoni Toccata and Fugue in D minor, BWV 565. | diss. | viii, 68p | ||||
| | 58. | Williams, Janet Leslie | An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. | diss. | 169p | ||||
| | 59. | Rabin, Judy Ellen | An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. | diss. | 144p | ||||
| | 60. | Evans, Margaret Ruth | An Annotated List of Sacred Cantatas: 1960 - 1976. | diss. | 688p | ||||
| | 61. | Maxwell, H. John | An artificial intelligence approach to computer-implemented analysis of harmony in tonal music. | diss. | 297p | ||||
| | 62. | Grönlund, Aapo | An evaluation of Wiedeburg's Method of Diminution for the purpose of stylistic composition: Embellishing Descending-Fifths Sequences in the Style of Bach's Two-part Inventions. | diss. | iv, 41p | ||||
| | 63. | Kaplan, Harriet Marlene | An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. | diss. | 98p | ||||
| | 64. | Ebicioglu, Kemal | An expert system of harmonization of chorales in the style of J. S. Bach. | diss. | 297p | ||||
| | 65. | Roueche, Michelle Renee | An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. | diss. | 69p | ||||
| | 66. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. | diss. | |||||
| | 67. | Mains, Ronda Miller | An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. | diss. | 281p | ||||
 | 68. | Hasse, Michaela | Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts | diss. | 82, 35 Bl | ||||
| | 69. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. | diss. | 103p | ||||
| | 70. | Hansen, Edward Allen | Anomaly in the Organ Fugue Subjects of J. S. Bach. | diss. | 181p | ||||
| | 71. | Hanson, J. | An Operational approach to a theory of rhythm. | diss. | |||||
| | 72. | Magee, Noel Howard | Anton Reicha as theorist. | diss. | 276p | ||||
| | 73. | Holtzendorff, Peter B. | A parametric integration model for the analysis of late Baroque music: A tentative approach. | diss. | 84p | ||||
| | 74. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | ||||
| | 75. | Thierbach, Sue Ellen Puyear | A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian. | diss. | xxii, 286p | ||||
| | 76. | Morris, Ralph Eugene | A performance edition of Bach's violoncello suites, transcribed for viola. | diss. | 160p | ||||
| | 77. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. | diss. | |||||
| | 78. | Isaacs, Azra | A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola. | diss. | 86p | ||||
| | 79. | Lim, Jungmook | A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture. | diss. | 77p | ||||
| | 80. | Dressler, Oscar Hugo | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. | diss. | 165p | ||||
| | 81. | Watchorn, Peter | A Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811. | diss. | 170p | ||||
| | 82. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. | diss. | 142p | ||||
| | 83. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. | diss. | |||||
| | 84. | Kim, Mary Byung-Ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. | diss. | 158p | ||||
| | 85. | Singley, Henry Ellis, III | A Performer's Study of Three Multimovement Organ Compositions Representing Eighteenth-Century France, Eighteenth-Century Germany, and Twentiety-Century France: Boyvin, Bach and Duruflé. | diss. | 178p | ||||
| | 86. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. | diss. | 133p | ||||
| | 87. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. | diss. | 151p | ||||
| | 88. | Cheng, Ephraim Ho-Yin | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. | diss. | 198p | ||||
| | 89. | Montgomery, James L. | Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565. | diss. | 96p | ||||
| | 90. | Leite, Zilei de Oliveira | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. | diss. | 116p | ||||
| | 91. | Janson, Peter | Applicatio textus or dramma per musica? The function of the church cantatas by Georg Friedrich Kauffmann. | diss. | 323p | ||||
| | 92. | Smith, Larry H. | A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. | diss. | |||||
| | 93. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. | diss. | |||||
| | 94. | Canave, Paz Corazon G. | A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. | diss. | xv, 185p | ||||
 | 95. | Lee, Yin-chieh | [A Research on Johann Sebastian Bach's 'Christmas Oratorio' Choral Selections.] | diss. | 230p | ||||
| | 96. | Mehne, Wendy Ann | A Research/Performance Edition of Johann Sebastian Bach's Acknowledged Flute Sonatas. | diss. | 352p | ||||
| | 97. | Metzler, Patrizia | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. | diss. | 194p | ||||
| | 98. | Arshagouni, Michael Hrair | Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. | diss. | xv, 422p | ||||
| | 99. | Crist, Stephen A. | Aria Forms in the Vocal Works of J. S. Bach, 1714-24. | diss. | xv, 337p | ||||
| | 100. | Dressler, Carolyn Elizabeth | Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era. | diss. | 61p | ||||
| | 101. | Spelman, Leslie P. | Art and the Reformation: A Critical Study of the Effects of the Protestant Reformation on the Continental Arts of the Sixteenth and Seventeenth Centuries, and in Particular on the Organ Music of France and Germany up to the Time of J. S. Bach. | diss. | xiii, 284 Bl | ||||
| | 102. | Roseman, Molly Roberts | Arthur Loesser: Pianist, teacher, critic, author. | diss. | 128p | ||||
| | 103. | Kramer, Laura Elizabeth | Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. | diss. | 229p | ||||
| | 104. | Uhl, Danny John | Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm. | diss. | |||||
| | 105. | Sabourin, Carmen | A Schenkerian study of J.S. Bach's two-part inventions presented in their original ordering. | diss. | 244p | ||||
| | 106. | Mills, Ian | A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. | diss. | 67p | ||||
| | 107. | Lee, Ming-Shung | A selected study of three variations by Bach, Beethoven, and Brahms. | diss. | 116p | ||||
| | 108. | Owens, William Steven | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. | diss. | |||||
| | 109. | Vieira, Yara Quercia | Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. | diss. | 91p | ||||
| | 110. | Nash, Laura Roderic | Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722. | diss. | |||||
| | 111. | Toumpoulidis, Themistoklis D. | Aspects of musical rhetoric in Baroque organ music. | diss. | x, 263p | ||||
| | 112. | Satterfield, John R. | Aspects of style in the two-part Inventions as revealed by a study of accentuation. | diss. | |||||
| | 113. | Wyatt, Henry Drew | Aspects of Sublime Rhetoric in Eighteenth-Century Music. | diss. | 249p | ||||
| | 114. | Friedrich, Siegfried | Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. | diss. | 610p | ||||
| | 115. | Ide, Yumiko | A structural and stylistic analysis of selected inventions and sinfonias of Johann Sebastian Bach. | diss. | 257p | ||||
| | 116. | Seaton, Stuart Douglass | A Study of a Collection of Mendelssohn's Sketches and Other Autograph Material: Deutsche Staatsbibliothek Berlin, Mus. Ms. Autogr. Mendelssohn 19. | diss. | 256p | ||||
| | 117. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. | diss. | 153p | ||||
| | 118. | Warburton, Ernest | A Study of Johann Christian Bach's Operas. | diss. | 324, 390 Bl | ||||
| | 119. | Richards, Ruthann Louise | A Study of Johann Sebastian Bach's Orgelbüchlein and Eighteen Leipzig Chorales: Their Histories, an Analysis of the Treatment of the Chorale Melodies, and a Comparison of the Sets. | diss. | 91p | ||||
| | 120. | Napier, Dione, J. | A Study of J.S. Bach's Sacred and Secular Vocal Works influenced by Popular Stylized Dance of the French Baroque Court: A Performer's Guide. | diss. | v, 127p | ||||
| | 121. | Liao, Wei-Chun | A Study of Musical Rhetoric in J. S. Bach's Organ Fugues. | diss. | vii, 76p | ||||
| | 122. | Lorince, Frank E. Jr. | A Study of Musical Texture in Relation to Sonata-Form As Evidenced in Selected Keyboard Sonatas from C. P. E. Bach through Beethoven. | diss. | 633p | ||||
| | 123. | Williamson, Barry Scott | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). | diss. | 107p | ||||
| | 124. | Rudy, Helen E. | A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period. | diss. | |||||
| | 125. | Kaashoek, Ruth | A study of the chromatic fantasy and fugue by Johann Sebastian Bach. | diss. | v, 71p | ||||
| | 126. | Minorgan, David Bruce | A study of the fugal imitative forms from their beginnings until the middle Baroque with special emphasis on those of southern Germany and Austria. | diss. | x, 176p | ||||
| | 127. | Ray, Martha Elizabeth Park | A study of the German church cantata exclusive of Bach, 1650-1750. | diss. | |||||
| | 128. | Davis, William Jerryl | A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. | diss. | 290p | ||||
| | 129. | Jordahl, Robert Arnold | A Study of the use of the chorale in the works of Mendelssohn, Brahms, and Reger. | diss. | iv, 441p | ||||
| | 130. | Bauer, Karen Tillotson | A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). | diss. | xiv, 269p | ||||
| | 131. | Lee, Jung-Ok | A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991) | diss. | viii, 89p | ||||
| | 132. | Chay, Il-Soo | A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. | diss. | 248p | ||||
| | 133. | Miron, Ruth Hannah | A stylistic and structural analysis of representative keyboard suites of Johann Sebastian Bach. | diss. | 266p | ||||
| | 134. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. | diss. | 140p | ||||
| | 135. | Holliman, Jamesetta H. | A Stylistic Study of Max Reger's Solo Piano Variations and Fugues on Themes by Johann Sebastian Bach and Georg Philipp Telemann. | diss. | 97p | ||||
| | 136. | Jones, Anita Joyce Gilstrap | A survey of organ works based on the motive B-A-C-H. | diss. | 106p | ||||
| | 137. | Wang, Yu-Chi | A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe. | diss. | viii, 127p | ||||
| | 138. | Kornfeld, Zoltán | A szvit mûfajának megjelenése Bach életmûvében, a gordonkára írt Hat Szólószvit elemzése (BWV 1007-1012). | diss. | 95p | ||||
| | 139. | Rapson, Penelope | A Technique for Identifying Textual Errors and its Application to the Sources of Music by Thomas Tallis. | diss. | x, 368; vi, 219p | ||||
| | 140. | Poglitsch, Michael | Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach. | diss. | 128p | ||||
| | 141. | Jäger, Rudolf | August Alexander Klengel und seine 'Kanons und Fugen'. | diss. | 91p | ||||
| | 142. | Kelly, Laura Lynn | August Halm's Von zwei Kulturen der Musik: A translation and introductory essay. | diss. | 257p | ||||
| | 143. | Axmacher, Elke | 'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert. | diss. | 245p | ||||
| | 144. | Lloyd, Rebecca Joanne | Bach among the conservatives: the quest for theological truth. | diss. | 199p | ||||
| | 145. | Cenciarelli, Carlo | Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations. | diss. | 552p | ||||
| | 146. | Holborn, Hans Ludwig | Bach and Pietism: The Relationship of the Church Music of Johann Sebastian Bach to Eighteenth-Century Lutheran Orthodoxy and Pietism with Special Reference to the 'Saint Matthew Passion'. | diss. | 180p | ||||
| | 147. | Carruthers, Glen Blaine | Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov. | diss. | vi, 251p | ||||
| | 148. | Demers, Isabelle | Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion. | diss. | 240p | ||||
| | 149. | Kambara, Sonoko | Bach beyond the score: Clues to performance issues in Bach's keyboard music. | diss. | 
| ||||
| | 150. | Fabrikant, Marina | Bach-Busoni Chaconne. A piano transcription analysis. | diss. | vi, 152p | ||||
| | 151. | Tate, Elda Ann | Bach cantata movements suitable for flute transcription. | diss. | |||||
| | 152. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. | diss. | |||||
| | 153. | Knobel, Bradley James | Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. | diss. | vii, 361p | ||||
| | 154. | Stroh, Irene | Bach Ciaccona for Solo Violin: Hidden Chorales and Messages. | diss. | 44p | ||||
| | 155. | Marchand, Guy | Bach et le nombre d'or ou la 'Passion selon Jean-Sébastien'. | diss. | 795p | ||||
| | 156. | Yagi, Tomoko | Bach no Goldberg Hensokyoku no Kenkyu. | diss. | |||||
| | 157. | Satake, Jun | Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai. | diss. | 106p | ||||
| | 158. | Groves, S. E. | Bach Pianists: a Performance History. | diss. | 116p | ||||
| | 159. | Oechsle, Siegfried | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. | diss. | |||||
| | 160. | Scharf, W. A. | Bach's B minor mass: a study in interpretation. | diss. | x, 344p | ||||
| | 161. | Schwarze, Penny S. | Bach's cantata movements borrowed from his instrumental works. | diss. | xi, 174p | ||||
| | 162. | Spierings, Benedikt | Bachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving. | diss. | v, 95p | ||||
| | 163. | Heinrich, Adel Verna | Bach's 'Die Kunst der Fuge': a Living Compendium of Fugal Procedures. | diss. | 371p | ||||
| | 164. | Dowdle, Caroline | Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. | diss. | vii, 96p | ||||
| | 165. | Hughes, Jennifer | Bach's Keyboard music in England and Germany, 1770-1850. | diss. | |||||
| | 166. | Pérez Torres, René | Bach's Mass in B Minor: An analytical study of parody movements and their function in the large-scale architectural design of the Mass. | diss. | 202p | ||||
| | 167. | Krey, Johannes | Bachs Orgelmusik in der Weimarer Periode. | diss. | ii, 223p | ||||
| | 168. | Macomber, Frank S. | Bach's re-use of his own music: a study in transcription. | diss. | 660p | ||||
| | 169. | Nic Athlaoich, Róisín | Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis. | diss. | |||||
| | 170. | Markovska, Nadya | Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity. | diss. | 275p | ||||
| | 171. | Foelber, Paul Frederick | Bach's treatment of the subject of death in his choral music. | diss. | 435p | ||||
| | 172. | Scheibe, Beate | Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. | diss. | |||||
| | 173. | Dirst, Matthew Charles | Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. | diss. | vii, 176p | ||||
| | 174. | Feder, Georg | Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke. | diss. | 387p | ||||
| | 175. | Speerstra, Joel | Bach, the pedal clavichord, and the organist. | diss. | ix, 241p | ||||
| | 176. | Carter, Adele Hall | Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. | diss. | ii, 4p | ||||
| | 177. | Kianto, Mervi | Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua. | diss. | |||||
| | 178. | Yang, Junfeng | Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan. | diss. | |||||
| | 179. | Burk, James Mack | Band transcriptions of the organ music of Johann Sebastian Bach. | diss. | 78p | ||||
| | 180. | Schaap, Elizabeth Maria | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach | diss. | |||||
| | 181. | McIntyre, Dean B. | Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. | diss. | xii, 362p | ||||
| | 182. | Huang, Fung-yin | Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. | diss. | ix, 120p | ||||
| | 183. | Dreyfus, Laurence Dana | Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. | diss. | 341p | ||||
| | 184. | Palisca, Claude V. | Beginnings of Baroque Music, Its Roots in 16th Century Theory and Polemics. | diss. | 5, ix, 399 Bl | ||||
| | 185. | Henkel, Hubert | Beiträge zum historischen Cembalobau. | diss. | 628p | ||||
| | 186. | Rudloff, Helmuth | Beiträge zur Geschichte der Bach-Renaissance in Deutschland (1750-1850). | diss. | 338p | ||||
| | 187. | Wenk, Alexander | Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach. | diss. | 138p | ||||
| | 188. | Siedentopf, Henning | Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs. | diss. | 135p | ||||
| | 189. | Rice, Karen M. | Beyond Third Stream: Henry Martin's Preludes and fugues for solo piano. | diss. | vi, 170p | ||||
| | 190. | Lindner, Matthew | Blood, Wounds and Heart-Religion: J. S. Bach Reception in Late Nineteenth-Century Bethlehem, Pennsylvania. | diss. | ix, 143p | ||||
| | 191. | Bower, C. M. | Boethius 'The Principlies of Music', an Introduction, Translation and Commentary. | diss. | 93-95 | ||||
| | 192. | Chiang, Shih-yi | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. | diss. | 139p | ||||
| | 193. | May, Ernest Dewey | Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales. | diss. | 192p | ||||
| | 194. | Schmitt, Kurt | Busoni als Pädagoge und Interpret. Dargestellt an seiner Bearbeitung der Klavierwerke J. S. Bachs. | diss. | 195p | ||||
| | 195. | Matthews, Joseph | Busoni's contributions to piano pedagogy. | diss. | 120p | ||||
| | 196. | Chabora, Robert Joseph | Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach. | diss. | iv, [iii], 202p | ||||
| | 197. | Allison, Brian Jerome | Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... | diss. | 24p | ||||
| | 198. | Sanders, Reginald LeMonte | Carl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788. | diss. | 316p | ||||
| | 199. | Dykema, Dan Harold | Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition. | diss. | 265p | ||||
| | 200. | Genova, Gina | Carl Philipp Emanuel Bach's 'Neue Lieder-Melodien Nebst Einer Kantate Zum Singen Beym Klavier' (1789) and the development of the German Lied. | diss. | 228p | ||||
| | 201. | Derr, Ellwood Shambaugh | Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. | diss. | i, 162p | ||||
| | 202. | Smith, Mark Mervyn | Certain aspects of Baroque music for violoncello as finally exemplified in the suites for unaccompanied violoncello by Johann Sebastian Bach. | diss. | 187p | ||||
| | 203. | Jenne, Natalie R. | Certain problems of rhythm and articulation in the performance of J. S. Bach's harpsichord music. | diss. | 68p | ||||
| | 204. | Hansell, D. J. K. | Changing structures in German organ music from 1600 to the death of J. S. Bach. | diss. | |||||
| | 205. | Holden, Edward | Charles Valentin Alkan: Interpreting the Composer's use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. | diss. | xvii, 400p | ||||
| | 206. | Boelcke, Andreas M. | Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. | diss. | xii, 81p | ||||
| | 207. | Kuo, Yi-Sy-Tieh | Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. | diss. | xii, 111p | ||||
| | 208. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. | diss. | 126p | ||||
| | 209. | Peters, Mark A. | Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. | diss. | xv, 384p | ||||
| | 210. | Virneisel, Wilhelm | Christian Benjamin Klein und seine Sammlung musikalischer Handschriften. | diss. | 116 Bl | ||||
| | 211. | Donat, Friedrich-Wilhelm | Christian Heinrich Rinck und die Orgelmusik seiner Zeit. [Ein Beitrag zur Geschichte der deutschen protestantischen Kirchenmusik um 1800] | diss. | xxvi, 104p | ||||
| | 212. | Noack, Friedrich | Christoph Graupner als Kirchenkomponist. - Vorwort zu Bd 51 und 52 der Denkmäler deutscher Tonkunst, Erste Folge[,] und Verzeichnis sämtlicher Kantaten des Meisters. | diss. | 87p | ||||
| | 213. | D'Elia, Peter | Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. | diss. | iv, 73p | ||||
| | 214. | Corsini, Antonella | Componenti bachiane nell'opera di Robert Schumann. | diss. | |||||
| | 215. | Lindsley, William T. | Conservative and progressive elements, and vocal and key characteristics in the first two movements of C.P.E. Bach's Prussian Sonata no. 1 in F major, H. 24. | diss. | 67p | ||||
| | 216. | Roberts, A. P. | Contrapuntal analysis of the canons in J. S. Bach's 'Musical Offering'. | diss. | |||||
| | 217. | Heuschneider, Karin Hildegard | Contributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe). | diss. | |||||
| | 218. | Lisco, John D. | C.P.E. Bach and the fantasia. | diss. | 96p | ||||
| | 219. | Kubota, Keiichi | C.P.E. Bach no Kigaku Sosaku ni okeru Kaitei oyobi Henkyoku ni kansuru Kenkyu. | diss. | 671p | ||||
| | 220. | Yoshida, Miwako | C.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei. | diss. | 75p | ||||
| | 221. | Espinosa, Damian | C.P.E. Bach's fantasias: the rhetorical argument. | diss. | vii, 148p | ||||
| | 222. | Crickmore, Leon | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] | diss. | |||||
| | 223. | Gibboney, Ted A. | Cryptic eloquence: Elements of form and expression in the large cantus firmus setting of J. S. Bach's 'Clavierübung III'. | diss. | 169p | ||||
| | 224. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. | diss. | |||||
| | 225. | Müller, Werner | Das Ausdrucksproblem in der Klaviermusik C. Ph. E. Bachs. | diss. | 173p | ||||
| | 226. | Sandberger, Wolfgang | Das Bach-Bild Philipp Spittas. | diss. | |||||
| | 227. | Häcker, Werner | Das B-A-C-H-Motiv im Musikschaffen sozialistischer Länder Europas - Versuch einer Bestandsaufnahme, Einordnung und Wertung. | diss. | 448p | ||||
| | 228. | Brockhoff, Victoia | Das Fugenthema im Wohltemperierten Klavier. | diss. | 78p | ||||
| | 229. | Hennenberg, Fritz (ed.) | Das Kantatenschaffen von Gottfried Heinrich Stölzel. | diss. | 348, 452p | ||||
| | 230. | Plath, Wolfgang | Das Klavierbüchlein für Wilhelm Friedemann Bach. | diss. | 185p | ||||
| | 231. | Uldall, Hans | Das Klavierkonzert der Berliner Schule und ihres Führers Philipp Emanuel Bach: sowie neue Beiträge zur Geschichte des Klavierkonzerts. | diss. | 68p | ||||
| | 232. | Pleßke, Hans-Martin | Das Leipziger Musikverlagswesen und seine Beziehungen zu einigen namhaften Komponisten: ein Beitrag zur Geschichte des Musikalienhandels im 19. und zu Beginn des 20. Jahrhunderts. | diss. | 255, 11 Bl | ||||
| | 233. | Lomnitzer, Helmut | Das musikalische Werk Friedrich Schneiders (1786 - 1853); insbesondere die Oratorien. | diss. | 376, 37p | ||||
| | 234. | Oefner, Claus | Das Musikleben in Eisenach 1650-1750. | diss. | 250p | ||||
| | 235. | Gerstner, Matthias | Das Orgelschaffen von Johannes Brahms: Studien zur Tradition in der Orgelmusik des 19. Jahrhunderts. | diss. | 279p | ||||
| | 236. | Pribyl, Lieselotte | Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. | diss. | 155; 178; 273p | ||||
| | 237. | Hermelink, Siegfried | Das Präludium in Bachs Klaviermusik. | diss. | 80p | ||||
| | 238. | Diehl, Eleonore | Das Rezitativ bei Bach. | diss. | |||||
| | 239. | Melchert, Hermann | Das Rezitativ der Kirchenkantaten Joh. Seb. Bachs. | diss. | 156p | ||||
| | 240. | Ziebler, Karl | Das Symbol in der Kirchenmusik Joh. Seb. Bachs. | diss. | 94p | ||||
| | 241. | Souchay, Marc-André | Das Thema in der Fuge Bachs. | diss. | 102p | ||||
| | 242. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. | diss. | 128p | ||||
| | 243. | Reinfandt, Karl-Heinz | Das Verhältnis von Text und Stimmgattung in der deutschen evangelischen Kirchenmusik der Barockzeit. | diss. | 177p | ||||
| | 244. | Spindler, Wolfgang | Das Verhältnis zwischen Wort und Ton in den Kantaten Johann Sebastian Bachs: die musikalische Umsetzung der Rezitativtexte. | diss. | 293p | ||||
| | 245. | Märker, Michael | Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs. | diss. | 157p | ||||
| | 246. | Arfken, Ernst | Das Weimarer Orgelbüchlein von Johann Sebastian Bach. | diss. | 108p | ||||
| | 247. | Waszynski, Barbara | Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. | diss. | 90p | ||||
| | 248. | Lammens, S. | De Bach-revival in België in de negentiende eeuw. De bijdrage van François-Joseph Fétis en François-Auguste Gevaert. | diss. | 82p | ||||
| | 249. | Kranenburg, Peter van | De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl. | diss. | 97p | ||||
| | 250. | Bauret, Gabriel | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. | diss. | 159p | ||||
| | 251. | La Fontaine, Michael de | Der Begriff der kunstlerischen Erfahrung bei Theodor W. Adorno. | diss. | iii, 132p | ||||
| | 252. | Schramowski, Herbert | Der Einfluß der instrumentalen Improvisation auf den künstlerischen Entwicklungsgang des Komponisten. | diss. | 355p | ||||
| | 253. | Heimann, Walter | Der Generalbaß-Satz und seine Rolle in Bachs Choralsatz. | diss. | 278p | ||||
| | 254. | Rudolph, Eberhard | Der junge Felix Mendelssohn: Ein Beitr. zur Musikgeschichte d. Stadt Berlin. | diss. | 236p | ||||
| | 255. | Müller, Jan Henning | Der Komponist als Prediger: die deutsche evangelisch-lutherische Motette als Zeugnis von Verkündigung und Auslegung vom Reformationszeitalter bis in die Gegenwart. | diss. | 448p | ||||
| | 256. | Herrmann, Matthias | Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). | diss. | 133, 198p | ||||
| | 257. | Dickreiter, Michael | Der Musikbegriff bei Johannes Kepler. | diss. | |||||
| | 258. | Friedrich, Felix | Der Orgelbauer Heinrich Gottfried Trost: Personlichkeit, Schaffensanalyse und Aspekte eines Künstlerbildes. | diss. | 284p | ||||
| | 259. | Gruber, Hubert | Der Passionstext und seine musikalische Gestaltung im Wandel der Zeit. Betrachtungen an 4 Werken: Matthäus-Passion von J.S. Bach; Christus, ein Oratorium von Franz Liszt; Lukaspassion von Krzysztof Penderecki; Jesus Christ Superstar, eine Rockoper von A.L. Webber und T. Rice. | diss. | 75p | ||||
| | 260. | Wolff, Christoph | Der stile antico in der Musik Johann Sebastian Bachs. Studien zu Bachs Spätwerk. | diss. | 227p | ||||
| | 261. | Spitta, Philippus [Spitta, Philipp] | De Taciti in componendis enuntiatis ratione. Pars prior: dissertatio. | diss. | 175p | ||||
| | 262. | Aschauer, Mario | Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. | diss. | 265p | ||||
| | 263. | Zirkle, Thomas Allen | Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcription of selected keyboard works by J. S. Bach. | diss. | xxiv, 148p | ||||
| | 264. | Nyírõ, Sebestyén | Devilish Details: Ornament-Related Passages in Selected Works of Johann Sebastian Bach. | diss. | vii, 113p | ||||
| | 265. | Fontana, Giuseppe | Diciotto edizioni novecentesche della Suite III per violoncello solo, BWV 1009, di J.S. Bach: Osservazioni sui criteri e sull'uso. | diss. | 195p | ||||
| | 266. | Jarvis, Martin W. B. | Did Johann Sebastian Bach Write the Six Cello Suites? | diss. | 430p | ||||
| | 267. | Mohr, Ernst Werner | Die Allemande in der deutschen Klaviersuite. | diss. | |||||
| | 268. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | diss. | |||||
| | 269. | Bruckner-Bigenwald, Martha | Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. | diss. | 102p | ||||
| | 270. | Krome, Ferdinand | Die Anfänge des musikalischen Journalismus in Deutschland. | diss. | 71p | ||||
| | 271. | Toussaint, Georg | Die Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz. | diss. | 118p | ||||
| | 272. | Wolf, Hans-Peter | Die Auswertung der Positionen zur Bach-Rezeption in der DDR. | diss. | 182p | ||||
| | 273. | Kober, Anita | Die Bach-Rezeption als pädagogische Aufgabe der Erbe-Aneignung in der Erweiterten Oberschule. | diss. | 198p | ||||
| | 274. | Stilz, Ernst | Die Berliner Klaviersonate zur Zeit Friedrichs des Grossen. | diss. | 123, 14 Bl | ||||
| | 275. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. | diss. | |||||
| | 276. | Matyl, Ulrich | Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. | diss. | |||||
| | 277. | Chang, Eun-Un | Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik. | diss. | 236p | ||||
| | 278. | Kruse, Hermann | Die Chorwerke von Moritz Hauptmann (1792–1868). | diss. | 135p | ||||
| | 279. | Schuch, Andreas | Die Chromatik im Wohltemperierten Klavier von Johann Sebastian Bach. | diss. | 68p | ||||
| | 280. | Eisert, Christian | Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. | diss. | 3 vols | ||||
| | 281. | Koch, Herbert | Die deutschen musikalischen Fachzeitschriften des achtzehnten Jahrhunderts. | diss. | 89p | ||||
| | 282. | Heller, Karl | Die deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis. | diss. | |||||
| | 283. | Zander, Ferdinand | Die Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung. | diss. | 113p | ||||
| | 284. | Peters, Manfred | Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach. | diss. | |||||
| | 285. | Piersig, Fritz | Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation. | diss. | 144p | ||||
| | 286. | Valentin, Erich | Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). | diss. | 143p | ||||
| | 287. | Constantini, Franz-Peter | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. | diss. | |||||
| | 288. | Schleuning, Peter | Die Freie Fantasie. Ein Beitrag zur Erforschung der Klaviermusik des 18. Jahrhunderts. | diss. | 400p | ||||
| | 289. | Besch, Hans | Die Frömmigkeit Johann Sebastian Bachs in der Bachbewegung und -forschung. | diss. | vi, 166p | ||||
| | 290. | Philippsborn, Magali | Die Frühdrucke der Werke J. S. Bachs in der ersten Hälfte des 19. Jahrhunderts: Eine kritisch vergleichende Untersuchung anhand des Wohltemperierten Klaviers I. | diss. | 270p | ||||
| | 291. | Brink, Arend | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. | diss. | |||||
| | 292. | Leube, Hans | Die Geschichte der pietistischen Bewegung in Leipzig. | diss. | viii, 127p | ||||
| | 293. | Blankenburg, Walter | Die innere Einheit von Bachs Werk. | diss. | 208p | ||||
| | 294. | Schneider-Cuvay, Michaela | Die Instrumentalwerke Johann Ernst Eberlins. | diss. | iv, 370p | ||||
| | 295. | Küntzel, Gottfried | Die Instrumentalwerke von Johann Friedrich Fasch (1688-1758). | diss. | 261p | ||||
| | 296. | Grobler, Magrietha Magdalena Sophia | Die Instrumentasie in die Kerkkantates van J.S. Bach. | diss. | 203p | ||||
| | 297. | Kloppers, Jacobus | Die Interpretation und Wiedergabe der Orgelwerke Bachs. Ein Beitrag zur Bestimmung von stilgerechten Prinzipien. | diss. | 390p | ||||
| | 298. | Brischwein, O. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. | diss. | 104p | ||||
| | 299. | Brausch, Paul | Die Kantate: Ein Beitrag zur Geschichte der deutschen Dichtungsgattung. Teil. 1: Geschichte der Kantate bis Gottsched. | diss. | v, 254, 15p | ||||
| | 300. | Petzoldt, Richard | Die Kirchenkompositionen und weltlichen Kantaten Reinhard Keisers: 1674 - 1739. | diss. | 83p | ||||
| | 301. | Beurmann, Andreas E. | Die Klaviersonaten Carl Philipp Emanuel Bachs. | diss. | 164p |
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